Industry Interviews: Owen Harvey

Over the next few weeks we’ll be publishing some interviews with artists, galleries and curators we’ve had the privilege of working with in recent times. They’ll be sharing their stories with us on practise and process as well as providing career advice.

This week our artist in focus is photographer Owen Harvey, a British documentary & advertising photographer, based in London. His work often focusses on Youth, Subculture and Identity, and has exhibited his photographs at renowned venues including The Photographers’ Gallery, Youth Archive at Carnaby St, and The National Portrait Gallery. He has also produced editorials for organisations such as BBC, Time Inc., Financial Times Magazine, GQ Magazine, Vogue Italia and others.

Owen is also currently in residence on our Instagram feed this week sharing the stories behind his images.

How would you describe your photographic style and process?

I studied Documentary photography and my primary interest is photographing people. This interest is usually through portraiture or candid moments and I’m often interested in the notion of identity, subculture & heritage.

Could you tell us about your background in the photography industry and how you developed your career?

I studied photography at the University of Wales, Newport and after this worked in photographic galleries and agencies such as Magnum Photos, Foto8 and of course, Metro Imaging. After this I decided to go full time freelance and worked hard on personal projects, which helped me gain commercial work. After doing this alone for three years I joined my agency, Trayler & Trayler, who now rep me for commercial projects.

Are you working on anything particular at the moment?

I’ve been working on a series on Young Fathers and alongside this working in a more candid way shooting in Southend-On-Sea, both projects are at fairly early stages. Alongside this I’ve been shooting commercial work and of course always trying to come up with new ideas.

What aspect of your career to date are you most proud of?

Having images hanging at the National Portrait Gallery was a proud moment for me and also having my first solo show on Carnaby St felt like a great milestone.

Could you share with us the best career advice you received?

I’m not sure if I’ve received one piece of career advice that stands out, but I’ve had a lot of people who have been kind enough to share honest sentiments with me. A few people either for good or bad have really taught me the importance of sticking to your guns as such and producing work that you feel is good. Try not to let too many opinions distract you from that.

You can see more of Owen’s work on his website and Instagram feed, and once we’re back-up and running you can see two images from his series ‘Mod UK’ printed on black and white fibre on show in our London lab.

Stay tuned to our news feed for more interviews with our artists and industry friends.

IMG 1 © Owen Harvey, from series Ground Clearance

IMG 2 © Owen Harvey, from series ‘Mod UK’

IMG 3 © Owen Harvey, from series ‘Skins & Suedes’,

We offer the following types of printing

Partial photo of a face covered in hundres and thousands printed on Fuji Crystal Archive Paper which is available in both gloss and a semi matt finish.

C Type Professional Photo Printing

We have been printing the highest quality C-Type prints for decades and digital C-Types produced on our Lambda have the archival and tonal benefits of traditional photographic papers, with the advantages of digital photo printing. C-Types are a conventional photographic print from a digital file, and as such is the most suitable option when printing a colour photograph.

Printing linking you through to our giclee printing service.

Fine Art Giclée Printing

We have Hahnemuhle and Canson Giclée Certified Studio staus and with over 30 years experience in photographic printing we use the most advanced inkjet technologies. Giclée is a gallery-quality inkjet print onto fine art watercolour paper. This is most suitable for art illustrations, but can also be used for colour and B&W photographs.

This a picture take of a very large black and white ilford fibre based print of two people.

Black & White Printing

We have worked in collaboration with Harman Technology to develop genuine B&W silver gelatin Fibre-Based and Resin-Coated photographic prints from digital files. The Resin-Coated is suitable for most types of B&W printing, and Fibre-Based is ideal for exhibition quality.

Picture of a Duratran. Duratrans are a real chromogenic print on translucent material and are then mounted on lightboxes.

Duratran Printing

We produce Duratrans at a quality level unmatched by anything else out there. Duratrans have to be lit from behind, so need to be mounted in a rear lit display, or we can produce led lightboxes, which are conventional photo frames containing the Duratran and led panel.

Metro called it Direct to Media. Essentially this is a UV printing machine that can produce very large, up to 3m x 2m prints on any flat material less than 10cm thick. So we can print on wood, metal, slate and pretty much anything you can think of.

Direct to Media Printing

Direct to media printing is exactly that; we print your image directly to a substrate of your choice. Be it paper, card, aluminium, Perspex, canvas, wood, slate… Our Jetrix UV inkjet flatbed printer can print on any flat surface up to 3m x 2m, less than 10cm thick. To ensure your material is suitable, we can print test prints around A4 in size.

This is a print on adhesive vinyl. The vinyl is on a roll and 1.2m wide, but it can printed in multiple pieces in order to cover a wall.

Vinyl Printing

Vinyl Phototex is chosen for its high-quality Giclée finish as well as its ease of application to wall or mounting material due to its self-adhesive properties. We can print on vinyl using our direct to media printer, in strips of 1.5m x 3m and these can be applied to the wall in the fashion of wallpaper to cover a complete wall or interior.